{"id":37161,"date":"2023-07-03T10:38:39","date_gmt":"2023-07-03T08:38:39","guid":{"rendered":"https:\/\/diploma2023.ecolecamondo.fr\/memoire\/violette-abelanski\/latelier-du-designer\/"},"modified":"2023-10-24T12:58:32","modified_gmt":"2023-10-24T10:58:32","slug":"latelier-du-designer","status":"publish","type":"dissertation","link":"https:\/\/diploma2023.ecolecamondo.fr\/en\/memoire\/violette-abelanski\/latelier-du-designer\/","title":{"rendered":"The designer\u2019s studio\u00a0"},"content":{"rendered":"\n<article class=\"text-highlighted bloc\">\r\n<div class=\"text-highlighted__content type-text style-border-top-bottom\">\r\n<div class=\"text-highlighted__wrapper wrapper typo-scope\">\r\n<p class=\"text-highlighted__text p-highlighted style-center gut-hook-text\"><em>\u00abSi les designers continuent d\u2019insister pour acqu\u00e9rir un studio [&#8230;] alors la mani\u00e8re dont chacun d\u2019entre eux le mobilise ne devrait-elle pas \u00eatre un composant crucial de n\u2019importe quelle analyse de leur pratique ?\u00bb<\/em><\/p>\r\n<div class=\"text-highlighted__infos\">\r\n<p class=\"text-highlighted__author p-author style-center\"><span class=\"gut-hook-author\">Alex Coles<\/span> &#8211; <span class=\"gut-hook-work\">The Transdisciplinary Studio, 2012<\/span><\/p>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/article>\n\n\n<article class=\"media-pdf bloc\">\n    <div class=\"media-pdf__content type-pdf\">\n        <div class=\"media-pdf__container\">\n            <div class=\"_df_book\" height=\"500\" source=\"https:\/\/diploma2023.ecolecamondo.fr\/content\/uploads\/2023\/07\/abelanski_violette.pdf\">\n                <div id=\"cursor-custom\" class=\"cursor js-cursor\" data-moved=\"false\">\n    <div class=\"cursor__more js-cursor-more\"><\/div>\n    <div class=\"cursor__zoom js-cursor-zoom\"><\/div>\n    <div class=\"cursor__hexagon js-cursor-hexagon\">\n        <svg width=\"22\" height=\"22\" viewBox=\"0 0 22 22\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n        <path class=\"path-main\" d=\"M2.83975 6.28867L11 1.57735L19.1603 6.28867V15.7113L11 20.4227L2.83975 15.7113V6.28867Z\" fill=\"black\" stroke=\"black\"\/>\n        <path class=\"path-second\" d=\"M1.97372 5.78867L11 0.57735L20.0263 5.78867V16.2113L11 21.4227L1.97372 16.2113V5.78867Z\" stroke=\"white\"\/>\n        <\/svg>\n    <\/div>\n<\/div>\n            <\/div>\n        <\/div>\n    <\/div>\n<\/article>\n","protected":false},"author":167,"featured_media":38002,"template":"","meta":{"_acf_changed":false,"_metafield_presentation":"The designer\u2019s studio is above all a work space. The presence of creative workmakes it an intriguing and thought-provoking place that might unlock the secrets of thecreative process. But what does a designer\u2019s studio look like today?What do these places reveal about the contemporary practice of design?Visiting different studios, the challenge is to understand how designers harness the spacein order to make it the place where their projects can develop.Harbouring creation, generating a process, sparking activity, conferring a statusor even demarcating a way of doing something: what is the role of the work space infor the designer and their practice?","_metafield_image_toggle":false,"_metafield_image_legend":"Ronan et Erwan Bouroullec dans leur studio, 2020, Magazine Sixtysix, Photo Elodie Daguin","_metafield_gallery":"[{\"id\":34500,\"title\":\"CamScanner 10-10-2022 10 2\",\"url\":\"https:\/\/diploma2023.ecolecamondo.fr\/content\/uploads\/2023\/07\/camscanner-10-10-2022-10-2.png\",\"thumbnail\":\"https:\/\/diploma2023.ecolecamondo.fr\/content\/uploads\/2023\/07\/camscanner-10-10-2022-10-2-150x150.png\"}]"},"keywords":[167],"teachers_list_1":[10],"class_list":["post-37161","dissertation","type-dissertation","status-publish","has-post-thumbnail","hentry","keywords-research-approach","teachers_list_1-manolita-filippi"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - 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