{"id":37521,"date":"2023-06-29T17:54:48","date_gmt":"2023-06-29T15:54:48","guid":{"rendered":"https:\/\/diploma2023.ecolecamondo.fr\/sujet-libre\/leo-achard\/dun-archetype-a-lautre\/"},"modified":"2023-10-15T17:33:12","modified_gmt":"2023-10-15T15:33:12","slug":"dun-archetype-a-lautre","status":"publish","type":"subject-free","link":"https:\/\/diploma2023.ecolecamondo.fr\/en\/sujet-libre\/leo-achard\/dun-archetype-a-lautre\/","title":{"rendered":"From one archetype to another"},"content":{"rendered":"\n
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“Les designers ont pour mission de r\u00e9initialiser l\u2019\u0153il, de le rafra\u00eechir.”<\/p>\r\n

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Fran\u00e7ois Azambourg<\/span><\/p>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/article>\n\n\n\n

Chandelier pied de fauteuil<\/p><\/div><\/div><\/article>\n\n\n

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“Dans une benne, le d\u00e9chet est un probl\u00e8me. Dans un meuble il est une solution.”<\/p>\r\n

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Basile de Gaulle & Rom\u00e9e de la Bigne, Maximum<\/span><\/p>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/article>\n\n\n\n

Chaise cadre de v\u00e9lo<\/p><\/div><\/div><\/article>\n\n\n

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“Le d\u00e9chet n’existe pas. C’est une ressource en attente de valorisation.”<\/p>\r\n

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Lucile Viaud<\/span><\/p>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/article>\n\n\n\n

Miroir raquette<\/p><\/div><\/div><\/article>\n\n\n

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“Nous croyons en la r\u00e9utilisation en tant que contrepoint au recyclage.”<\/p>\r\n

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\u00c1lvaro Catal\u00e1n de Oc\u00f3n<\/span><\/p>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/article>\n\n\n\n

Porte-manteau guidon<\/p><\/div><\/div><\/article>\n\n\n

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Miroir circuit<\/p><\/div><\/div><\/article>\n\n\n

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T\u00eate de lit guidon<\/p><\/div><\/div><\/article>\n\n\n

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\n \n \"\"\n <\/a>\n <\/div>\n <\/article>\n","protected":false},"author":158,"featured_media":37522,"template":"","meta":{"_acf_changed":false,"_metafield_presentation":"\u201cDesigners are responsible for rebooting and refreshing the eye,\u201d explains Fran\u00e7ois Azambourg.\u00a0The Archetype Collection aims to change our view of day-to-day objects and challenge the visual codes of reuse. The industrial production of the past becomes the artisanal production of the future. To do this, obsolete industrial objects are transformed to become new ones with evocative forms. 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