{"id":37527,"date":"2023-06-19T22:28:23","date_gmt":"2023-06-19T20:28:23","guid":{"rendered":"https:\/\/diploma2023.ecolecamondo.fr\/sujet-libre\/juliette-arnal\/un-diner-sans-fin\/"},"modified":"2023-10-15T17:36:31","modified_gmt":"2023-10-15T15:36:31","slug":"un-diner-sans-fin","status":"publish","type":"subject-free","link":"https:\/\/diploma2023.ecolecamondo.fr\/en\/sujet-libre\/juliette-arnal\/un-diner-sans-fin\/","title":{"rendered":"A neverending dinner"},"content":{"rendered":"

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J\u2019ai commenc\u00e9 par un collage que j\u2019ai fait assez intuitivement.\u00a0Il comprend de la photo, du dessin, de l\u2019aquarelle et un tableau.\u00a0Ce tableau est assez significatif pour moi, parce que je l\u2019ai vu toute mon enfance en face du lit dans la chambre de mes parents.\n<\/figcaption>\n <\/article>\n\n\n
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Cette peinture c\u2019est \u00ab\u00a0Femme qui coud\u00a0\u00bb de Roger Chastel, une grande huile sur toile de 1 m\u00e8tre 40 de hautIl m\u2019a inspir\u00e9 des totems.\nCes totems sont faits \u00e0 partir de parties distinctes que j\u2019ai extraites de la peinture, ces parties qui \u00e9taient les d\u00e9tails que je s\u00e9lectionnais avec mes yeux d\u2019enfant et que je d\u00e9cortiquais les uns apr\u00e8s les autres.\nJe les ai int\u00e9gr\u00e9s \u00e0 des paysages invent\u00e9s au crayon \u00e0 papier.\n<\/figcaption>\n <\/article>\n\n\n
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Je vous propose de vous int\u00e9resser uniquement aux vases maintenant, comme j\u2019ai pu le faire durant mon protocole.\nLeurs couleurs et leur ensemble m\u2019ont donn\u00e9 envie d\u2019en faire une gamme d\u2019objets. Ces objets sont \u00e0 la fronti\u00e8re du bougeoir, du r\u00e9cipient, du vase ou m\u00eame encore pourquoi pas de la sculpture.\nJ\u2019aime l\u2019id\u00e9e que mes recherches cr\u00e9ent comme une sorte de grille de lecture, un peu comme mon propre alphabet.\n \n<\/figcaption>\n <\/article>\n\n\n
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Cet alphabet je l\u2019ai mis en volume, assembl\u00e9 autrement, ensemble ou isol\u00e9s, \u00e7a nous raconte tout autre chose.\nCes objets, ces dessins m\u2019ont permis de cr\u00e9er de nouveaux collages qui eux m\u00eame m\u2019ont inspir\u00e9 de nouvelles formes et objets et ainsi de suite.\nEt c\u2019est comme \u00e7a que j\u2019ai commenc\u00e9 \u00e0 \u00e9laborer mon propre processus cr\u00e9atif comme un protocole.\n<\/figcaption>\n <\/article>\n\n\n
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Sur chacun de mes collages je voulais que le temps semble comme arr\u00eat\u00e9 et surtout questionner ce qui est intemporel outre le fait de mettre ce diner sur pause. J\u2019emprunte des formes, des styles de diff\u00e9rentes \u00e9poques (style byzantin ou encore gotique) que je m\u00eale \u00e0 des couleurs pop. Je joue avec les lumi\u00e8res et les opacit\u00e9s pour essayer de raconter sans cesse autre chose.\nEt \u00e7a transforme cette sc\u00e8ne de d\u00e9part, qui d\u00e9multiplie cet instant de repas jusqu\u2019\u00e0 \u00e9puisement.\n<\/figcaption>\n <\/article>\n\n\n
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Puis il y a l\u2019huitre.\nElle a inspir\u00e9 tout un travail plastique que j\u2019ai photographi\u00e9 que vous pouvez voir ici.\nJ\u2019interroge encore la temporalit\u00e9, je veux tenter de cristalliser cet objet vivant et consommable. Ce mollusque rocailleux, froid, mais aussi d\u00e9licat et voluptueux.\nGrace \u00e0 de la g\u00e9latine alimentaire et de la peinture je tente de faire illusion et de les rendre \u00e9ternelles. J\u2019\u00e9tudie chaque d\u00e9tail \u00e0 la mani\u00e8re du texte de Francis Ponge.\n \n<\/figcaption>\n <\/article>\n\n\n
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J\u2019essaie d\u2019int\u00e9grer ces nouvelles r\u00e9interpr\u00e9tations d\u2019huitre dans ces diff\u00e9rentes sc\u00e8nes de repas, je tente de cr\u00e9er une distance presque, de leur construire une certaine intimit\u00e9 derri\u00e8re leurs fen\u00eatres. Comme si, au final j\u2019avais envie qu\u2019elles m\u2019\u00e9chappent.\nMais il y a toujours ce peintre qui serte change de couleur mais qui peint toujours on ne sait quoi derri\u00e8re son rideau. Et ses \u00e9l\u00e9ments qui me sont familiers qui reviennent\u00a0: les huitres, les vases, le tableau de mon enfance…\n<\/figcaption>\n <\/article>\n\n\n
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Et \u00e7a pourrait ne pas s’arr\u00eater l\u00e0\u2026\nPour pratiquement tous mes travaux \u00e0 Camondo ou mes projets \u00e0 l’ext\u00e9rieur, j’ai sans cesse eu envie, quelques mois plus tard, de les reprendre, d’en faire autre chose, de les r\u00e9interpr\u00e9ter.\nQuand il a fallu choisir son sujet libre : ma libert\u00e9 \u00e7a a \u00e9t\u00e9 de vouloir un projet qui ne s’arr\u00eaterait jamais, qui n’aurait pas de fin.\n \nFIN\n<\/figcaption>\n <\/article>\n","protected":false},"author":150,"featured_media":37529,"template":"","meta":{"_acf_changed":false,"_metafield_presentation":"Have you ever seen the film Groundhog Day, or felt like you were experiencing and re-experiencing the same thing, like Phil Connors in Harold Ramis\u2019 film? Nietzsche issues us the same injunction: \u201cLive your life in such a way that you would wish it could be repeated eternally.\u201d This is what I would like to recreate in my work, the phenomenon of d\u00e9j\u00e0 vu, the individual experience that nevertheless remains a universal sentiment. Through an imagined meal, I put forward a range of objects and different scenographies. I extract something else from this initial scene, from this single moment, to the point of exhaustion. In this way, if this dinner were to be repeated indefinitely, it would contain the same ingredients but would never taste the same way.\u00a0","_metafield_image_toggle":true,"_metafield_image_legend":"Ou l'\u00e9ternel recommencement d'un processus cr\u00e9atif","_metafield_gallery":"[{\"id\":30251,\"title\":\"Capture d\u2019\u00e9cran 2023-06-19 \u00e0 22.04.24\",\"url\":\"https:\/\/diploma2023.ecolecamondo.fr\/content\/uploads\/2023\/06\/capture-decran-2023-06-19-a-22.04.24.png\",\"thumbnail\":\"https:\/\/diploma2023.ecolecamondo.fr\/content\/uploads\/2023\/06\/capture-decran-2023-06-19-a-22.04.24-150x150.png\"}]"},"keywords":[165,167,160],"teachers_list_2":[154],"class_list":["post-37527","subject-free","type-subject-free","status-publish","has-post-thumbnail","hentry","keywords-artistic-field","keywords-research-approach","keywords-scenography","teachers_list_2-audrey-tenaillon"],"acf":[],"yoast_head":"\nA neverending dinner - Diploma Camondo \u00e9dition 2023<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/diploma2023.ecolecamondo.fr\/en\/sujet-libre\/juliette-arnal\/un-diner-sans-fin\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A neverending dinner - 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