{"id":37543,"date":"2023-07-06T13:32:33","date_gmt":"2023-07-06T11:32:33","guid":{"rendered":"https:\/\/diploma2023.ecolecamondo.fr\/sujet-libre\/luna-bildstein\/le-mouvement-des-objets\/"},"modified":"2023-10-15T17:43:21","modified_gmt":"2023-10-15T15:43:21","slug":"le-mouvement-des-objets","status":"publish","type":"subject-free","link":"https:\/\/diploma2023.ecolecamondo.fr\/en\/sujet-libre\/luna-bildstein\/le-mouvement-des-objets\/","title":{"rendered":"The movement of objects"},"content":{"rendered":"\n

Au d\u00e9part de ce projet, il y a une observation. Celle du quotidien.<\/em><\/p><\/div><\/div><\/article>\n\n\n\n

En appliquant le protocole utilis\u00e9 dans mon m\u00e9moire qui est celui de la description par l’observation, j\u2019ai \u00e9tudi\u00e9 l\u2019usage de ces deux objets. Interpr\u00e9ter leurs actions, l\u2019emploi r\u00e9el pour en comprendre leur fonctionnement, leur apparence.<\/p><\/div><\/div><\/article>\n\n\n\n

Le premier m\u00e9dium mis en pratique pour retranscrire mes analyses a \u00e9t\u00e9 l\u2019\u00e9criture. \u00c0 la fois en personnifiant les objets mais aussi par mon propre ressenti. Cela m\u2019a permis d\u2019aboutir \u00e0 une r\u00e9flexion sur la fiction que l\u2019objet nous procure, de d\u00e9velopper son imaginaire et aussi de le regarder avec un nouvel \u0153il.<\/p><\/div><\/div><\/article>\n\n\n\n

L\u2019observation est \u00e9galement pass\u00e9e par le dessin. Prendre le temps de dessiner pour analyser. Comme \u00e0 la mani\u00e8re des naturalistes j\u2019ai retranscris dans un premier temps avec un crayon, l\u2019aspect purement figuratif de ces deux objets afin de glisser vers des formes plus abstraites.<\/p><\/div><\/div><\/article>\n\n\n

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La porte –\u00a0<\/em>\nDessins et \u00e9crits<\/em>\n<\/figcaption>\n <\/article>\n\n\n
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Le rideau – Dessins et \u00e9crits<\/em>\n<\/figcaption>\n <\/article>\n\n\n\n
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“Ce qui se passe chaque jour et qui revient chaque jour, le banal, le quotidien, l\u2019\u00e9vident, le commun, l\u2019ordinaire, le bruit de fond, l\u2019habituel, comment en rendre compte, comment l’interroger, comment le d\u00e9crire ?”<\/p>\r\n

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George Perec <\/span> – L’Infra-ordinaire, 1989<\/span><\/p>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/article>\n\n\n

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Gifs anim\u00e9s – Le mouvement<\/em>\n<\/figcaption>\n <\/article>\n\n\n
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Gifs anim\u00e9s – Le geste<\/em>\n<\/figcaption>\n <\/article>\n\n\n\n

Les animations r\u00e9v\u00e8lent ainsi l\u2019\u00e9volution de ce projet, \u00e9tudiant notre relation presque chor\u00e9graphique du corps face \u00e0 ces diff\u00e9rentes propositions en jouant sur de multiples ouvertures. L’intention est de d\u00e9velopper des hypoth\u00e8ses impliquant la totale attention du corps
lors de l\u2019utilisation.<\/p><\/div><\/div><\/article>\n\n\n\n

“Et si le rideau n’\u00e9tait pas fait de tissu souple ?<\/em>
Et si il n’y avait pas de tringle horizontale ?<\/em>
Et si la porte ne s’ouvrait pas avec les mains, avec quoi s’ouvrirait elle ?<\/em>
Et si la porte pivotait ?<\/em>
Et si la porte devenait rideau, et rideau la porte ?”<\/em><\/p><\/div><\/div><\/article>\n\n\n\n

Ces questions, se sont celles qui me sont apparues tout au long de ce travail de recherche. Une hypoth\u00e8se m’emmenait \u00e0 en dessiner une autre, puis encore une nouvelle. Le processus de cr\u00e9ation \u00e9tait lanc\u00e9.
Mais alors, quand s\u2019arr\u00eater ?<\/p><\/div><\/div><\/article>\n\n\n

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Hypoth\u00e8se n\u00b01 – Le rideau<\/p><\/div><\/div><\/article>\n\n\n

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Hypoth\u00e8se n\u00b01 – La porte<\/p><\/div><\/div><\/article>\n\n\n

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Avec ces deux hypoth\u00e8ses plus \u00e9labor\u00e9es, je me suis amus\u00e9e \u00e0 \u00e9changer leurs codes formels, la porte reprenant l\u2019id\u00e9e de la tringle, le rideau reprenant celle du fermoir, de la poign\u00e9e que l\u2019on tourne. Les ayant trait\u00e9s avec le m\u00eame protocole d\u2019analyse, ces deux objets finalement se croisent, se m\u00ealent, jusqu\u2019\u00e0 ne devenir plus qu’un.<\/p><\/div><\/div><\/article>\n\n\n\n

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\u00ab figurant humble et r\u00e9ceptif, (\u2026) les objets ont ainsi en dehors de leur fonction pratique, une fonction primordiale, qui est de l\u2019imaginaire \u00bb<\/p>\r\n

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Jean Baudrillard<\/span> – Le syst\u00e8me des objets, 1968<\/span><\/p>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/article>\n\n\n\n

Ce que je propose aujourd\u2019hui c\u2019est une d\u00e9marche de recherche plus qu\u2019un objet fini, un design d\u2019objet ou de produit. D\u00e9crire en observant, observer pour comprendre. En tant qu’architecte d’int\u00e9rieur et designer, c’est sur ces d\u00e9tails du quotidien que mon regard se posera.<\/p><\/div><\/div><\/article>\n\n\n

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\n @bildsteinluna <\/a>\n <\/div>\n<\/article>\n","protected":false},"author":143,"featured_media":37545,"template":"","meta":{"_acf_changed":false,"_metafield_presentation":"\u201cI frequently open and close,I am the key to a room, the guardian of an interior.You use me every day and yet you nevergive me a second thought.\u201dAs someone who is sensitive to my surroundings, I have always been inspired by the wealth that lies in the everyday. But how can we look at the ordinary? How can we focus on the most banal gesture and take account of the beauty of things, which are often overlooked as they are used. This project explores our relationship with two objects that we use on a daily basis without giving them a second thought: the door and the curtain, the design of which has become excessively standardised. 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