{"id":37632,"date":"2023-07-07T00:28:36","date_gmt":"2023-07-06T22:28:36","guid":{"rendered":"https:\/\/diploma2023.ecolecamondo.fr\/sujet-libre\/heloise-de-villeroy\/sarragan-temoigner-la-pierre\/"},"modified":"2023-10-15T18:47:58","modified_gmt":"2023-10-15T16:47:58","slug":"sarragan-temoigner-la-pierre","status":"publish","type":"subject-free","link":"https:\/\/diploma2023.ecolecamondo.fr\/en\/sujet-libre\/heloise-de-villeroy\/sarragan-temoigner-la-pierre\/","title":{"rendered":"Sarragan: witnessing stone"},"content":{"rendered":"\n
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\u00ab\u00a0Ce sont les pierres qui restent, apr\u00e8s que le temps et les hommes aient fait leur oeuvre.\u00a0\u00bb<\/p>\r\n

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Fernand Pouillon<\/span> – Les pierres sauvages<\/span><\/p>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/article>\n\n\n\n

Le site<\/p><\/div><\/div><\/article>\n\n\n

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La carri\u00e8re de Sarragan, au coeur du massif des Alpilles dans les Bouches-du-Rh\u00f4ne \u00b7\u00a0Gardienne de la m\u00e9moire historique et culturelle de la r\u00e9gion, les Alpilles ont la particularit\u00e9 d\u2019\u00eatre sculpt\u00e9es par la nature et fa\u00e7onn\u00e9es par l\u2019Homme depuis des mill\u00e9naires. La pierre calcaire a permis \u00e0 l\u2019homme depuis la civilisation romaine de s\u2019implanter dans le paysage, laissant derri\u00e8re elle les ruines de plusieurs cit\u00e9s devenues des sites arch\u00e9ologiques de renoms, mais aussi des carri\u00e8res de pierre.\n<\/figcaption>\n <\/article>\n\n\n
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La pierre des Baux\u00a0\u00b7\u00a0La pr\u00e9sence de cette pierre, blanche et tendre, a ainsi permis d\u2019\u00e9crire l\u2019histoire et de dessiner l\u2019architecture et les lignes du paysage. Elle pourrait aussi dessiner un parcours, partant des entrailles de la terre, la o\u00f9 l\u2019Homme creusent pour l\u2019extraire, jusqu\u2019\u00e0 ses constructions.\u00a0\n<\/figcaption>\n <\/article>\n\n\n
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\u00ab\u00a0Je me sens dans le ventre, les entrailles des Alpilles.\u00a0\u00bb<\/p>\r\n

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H\u00e9l\u00e8ne Blanc, directrice d’exploitation de la carri\u00e8re de Sarragan.<\/span><\/p>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/article>\n\n\n

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Ces lignes verticales, ces milliers de blocs de roches qui semblent \u00eatre empil\u00e9 maladroitement, forment une composition de lignes et de volumes. Sarragan\u00a0t\u00e9moigne de l\u2019histoire de la r\u00e9gion, et ces marques en sont la preuve, la trace.\u00a0Elles repr\u00e9sentent les diff\u00e9rentes techniques d\u2019extraction employ\u00e9es par les g\u00e9n\u00e9rations d\u2019artisans de Sarragan.\n<\/figcaption>\n <\/article>\n\n\n
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Programme – un centre culturel autour de la pierre<\/p><\/div><\/div><\/article>\n\n\n

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Sarragan s’ouvre aux public pour proposer aux visiteurs une promenade, un voyage immersif au coeur de la pierre pour traiter de la pierre. Sous toutes ses formes.\u00a0La carri\u00e8re se r\u00e9invente donc en un centre culturel afin de raconter son histoire et celle des ma\u00eetres de la mati\u00e8re, tant artisanal qu\u2019artistique. Il mixe activit\u00e9 professionnelle, pratique amatrice de la sculpture et un espace mus\u00e9al dont je vais d\u00e9tailler l\u2019installation par la suite.\u00a0\n<\/figcaption>\n <\/article>\n\n\n
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L’entr\u00e9e<\/p><\/div><\/div><\/article>\n\n\n

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L’entr\u00e9e est pens\u00e9e comme un marquage visuel fort, un geste sculptural. J\u2019ai imagin\u00e9 une m\u00e9ga structure en aluminium anodis\u00e9. C\u2019est une sorte d\u2019extrusion qui vient chercher le visiteur pour le faire p\u00e9n\u00e9trer dans le parcours qui l\u2019attend.\u00a0Les Alpilles sont aussi connus pour ses gisements de bauxite, une pierre rouge orang\u00e9 avec laquelle on fait l\u2019aluminium.\u00a0J\u2019ai choisi cette couleur ainsi que cette mati\u00e8re pour ma structure d\u2019entr\u00e9e mais aussi pour les diff\u00e9rents objets que j\u2019ai dessin\u00e9 pour ce projet.\u00a0\n<\/figcaption>\n <\/article>\n\n\n
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la promenade sculpturale<\/p><\/div><\/div><\/article>\n\n\n

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Plan du site \u00b7\u00a0la promenade sculpturale\n<\/figcaption>\n <\/article>\n\n\n\n

La promenade sculpturale permet aux visites de d\u00e9couvrir \u00e0 la fois le site et le travail d\u2019un sculpteur. L\u2019\u00e9chelle du site, presque surdimensionn\u00e9e m\u2019a conduit \u00e0 repenser l\u2019espace mus\u00e9al classique. L\u2019agrandir, le d\u00e9composer, et ainsi tirer parti des qualit\u00e9s spatiales de la carri\u00e8re.<\/p><\/div><\/div><\/article>\n\n\n

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La promenade sculpturale se compose de 12 micro-architectures r\u00e9parties dans les couloirs de la carri\u00e8re. Les quatre typologies de modules leur permettent de s’adapter aux configurations de la carri\u00e8re.\u00a0\nles structures centrales\u00a05 x 7 m \u00b7\u00a0les structures traversantes\u00a05,3 x 12 m\n<\/figcaption>\n <\/article>\n\n\n
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les structures en L\u00a09,4 x 12,3 m \u00b7\u00a0les structures pour impasse\u00a05,9 x 8,6 m\n<\/figcaption>\n <\/article>\n\n\n
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Sarragan poss\u00e8de d\u00e9j\u00e0 une identit\u00e9 graphique et visuelle forte et unique. Elle m\u2019a inspir\u00e9 pour le dessin des modules mais aussi pour leurs mat\u00e9rialit\u00e9s et leurs mises en lumi\u00e8re. Construits en panneaux de b\u00e9ton cellulaires, ils repr\u00e9sentent dans leurs teintes les nuances de blanc et de beige qui les entourent pour s\u2019int\u00e9grer dans l\u2019exist<\/p><\/div><\/div><\/article>\n\n\n\n

Des jeux de niveaux, de marches et d\u2019estrades d\u2019exposition composent les espaces int\u00e9rieurs. Les estrades sont trait\u00e9s dans des tons l\u00e9g\u00e8rement plus chauds afin de marquer leur diff\u00e9rences, et les vitrines encastr\u00e9es dans un jeu de rainures plus larges, sorte de marquage visuelle pour le visiteur. <\/p><\/div><\/div><\/article>\n\n\n

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Certains dessins d\u2019extraction ont attir\u00e9 mon attention. Je les ai redessiner afin qu\u2019ils viennent s\u2019appliquer comme des textures sur les murs int\u00e9rieurs des modules. Le passage entre int\u00e9rieur et ext\u00e9rieur est ainsi marqu\u00e9 par ce changement visuel, entre les compositions des murs de la carri\u00e8re, et l\u2019uniformit\u00e9 de ceux des installations.<\/p><\/div><\/div><\/article>\n\n\n\n

Une troisi\u00e8me typologie de rainures existe, \u00e0 l\u2019horizontal cette fois, servant de signal\u00e9tique guidant le visiteur vers et dans les structures mus\u00e9ales. Une bande led vient soulign\u00e9 \u00e0 chaque fois ce jeu de textures.<\/p><\/div><\/div><\/article>\n\n\n

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La luminosit\u00e9 de la carri\u00e8re est particuli\u00e8re puisqu\u2019elle est \u00e0 la fois tr\u00e8s forte en vue de la blancheur des pierres et de la r\u00e9verb\u00e9ration, mais on peut aussi se retrouver dans des couloirs dans l\u2019obscurit\u00e9 la plus totale.\u00a0\n<\/figcaption>\n <\/article>\n\n\n
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Design<\/p><\/div><\/div><\/article>\n\n\n

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Certains volumes s\u2019extrudent de mani\u00e8re plus marquante, servant de pr\u00e9sentoirs pour des oeuvres de petites ou moyennes envergures. Ils sont rev\u00eatu d\u2019aluminium poli brillant. Le plateau des st\u00e8les est une plaque de pierre calcaire, <\/em>mettant un contact la pierre des Baux avec celle employ\u00e9e par le sculpteur expos\u00e9<\/p><\/div><\/div><\/article>\n\n\n\n

Pour marquer des pauses au cours de la promenade sculpturale, j\u2019ai imagin\u00e9 des assises. Ce sont des blocs de pierres calcaires fabriqu\u00e9s ici m\u00eame. La face avant reprend la texture des pierres d\u00e9bit\u00e9s dans les ateliers. Une fine lame d\u2019aluminium s\u2019enroule sur deux faces du cube. Ils s\u2019installent partout dans les couloirs de la carri\u00e8re.<\/p><\/div><\/div><\/article>\n\n\n\n

Les luminaires permettent de mettre en lumi\u00e8re la carri\u00e8re lorsque la nuit tombe, mais aussi toute la journ\u00e9e dans les parties souterraines. Ils sont connect\u00e9s ensemble par un syst\u00e8me \u00e9lectrique, reprenant le vocabulaire des lampes de chantier.<\/p><\/div><\/div><\/article>\n\n\n\n

Tourn\u00e9e vers le mur et envelopp\u00e9 dans une lame d\u2019aluminium rouge, la lumi\u00e8re des lampes \u00e9mettent une lumi\u00e8re forte, guidant le visiteur tout en r\u00e9v\u00e9lant les textures murales.<\/p><\/div><\/div><\/article>\n\n\n

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le caf\u00e9<\/p><\/div><\/div><\/article>\n\n\n

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le caf\u00e9 \u00b7\u00a0une passerelle suspendue\n<\/figcaption>\n <\/article>\n\n\n
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T\u00e9moigner la pierre est un projet culturel de transmission mais aussi de partage \u00e0 la fois en mati\u00e8re d\u2019art et d\u2019histoire. J\u2019envisage ce site comme une \u00e9tape dans une promenade bien plus grande qui s\u2019entend \u00e0 travers la r\u00e9gion, sur le th\u00e8me de la pierre, m\u00ealant plusieurs savoir-faire et mais surtout plusieurs paysages.<\/p><\/div><\/div><\/article>\n\n\n\n

Sur le site de la carri\u00e8re, faire cohabiter tous ces gens, \u00e0 la fois des professionnels, des amateurs et des passionn\u00e9s, permettraient de faire vivre le lieu encore pour plusieurs ann\u00e9es. 

Carri\u00e8re de Sarragan
Les baux de Provence \u00b7<\/strong> 12520<\/p><\/div><\/div><\/article>\n\n\n

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\n \n \"\"\n <\/a>\n <\/div>\n <\/article>\n","protected":false},"author":139,"featured_media":37634,"template":"","meta":{"_acf_changed":false,"_metafield_presentation":"\u201cStone is what remains after time and humans have done their work.\u201d\u00a0Sarragan. A piece of architectural heritage in the middle of a limestone mountain. It is marked by the trace of skills that, over time, have created a sculptural landscape, built in negative into the stone. The quarry, a symbol of time and the architecture of the region, is being reinvented. It is becoming a cultural centre based on stone, telling its story and that of the masters who work with it. The symbiosis of industrial use and artistic practice gives rise to a sculptural promenade. 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Diploma Camondo \u00e9dition 2023<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/diploma2023.ecolecamondo.fr\/en\/sujet-libre\/heloise-de-villeroy\/sarragan-temoigner-la-pierre\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sarragan: witnessing stone - Diploma Camondo \u00e9dition 2023\" \/>\n<meta property=\"og:url\" content=\"https:\/\/diploma2023.ecolecamondo.fr\/en\/sujet-libre\/heloise-de-villeroy\/sarragan-temoigner-la-pierre\/\" \/>\n<meta property=\"og:site_name\" content=\"Diploma Camondo \u00e9dition 2023\" \/>\n<meta property=\"article:modified_time\" content=\"2023-10-15T16:47:58+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/diploma2023.ecolecamondo.fr\/content\/uploads\/2023\/07\/module7.2.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"649\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/diploma2023.ecolecamondo.fr\/en\/sujet-libre\/heloise-de-villeroy\/sarragan-temoigner-la-pierre\/\",\"url\":\"https:\/\/diploma2023.ecolecamondo.fr\/en\/sujet-libre\/heloise-de-villeroy\/sarragan-temoigner-la-pierre\/\",\"name\":\"Sarragan: witnessing stone - 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