{"id":36799,"date":"2023-07-05T16:22:58","date_gmt":"2023-07-05T14:22:58","guid":{"rendered":"https:\/\/diploma2023.ecolecamondo.fr\/?post_type=subject-imposed&p=36799"},"modified":"2023-09-26T18:00:25","modified_gmt":"2023-09-26T16:00:25","slug":"nitescense-the-liberated-bodies-of-disco","status":"publish","type":"subject-imposed","link":"https:\/\/diploma2023.ecolecamondo.fr\/en\/sujet-impose\/alienor-bayon-de-noyer\/nitescense-the-liberated-bodies-of-disco\/","title":{"rendered":"Nitescense: The liberated bodies of disco"},"content":{"rendered":"\n

“Le disco, c’est politique, c’est les femmes, c’est la question du genre, c’est les minorit\u00e9s, c’est une sensualit\u00e9, c’est le milieu de la nuit”<\/em><\/p><\/div><\/div><\/article>\n\n\n

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Un rythme binaire pour une visite en deux temps<\/p><\/div><\/div><\/article>\n\n\n

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Le rapport au corps est au centre de la sc\u00e9nographie avec un premier temps de visite plus individuel et plus induit pour \u00e9voluer vers un parcours plus libre o\u00f9 les visiteurs, les corps se m\u00e9langent dans un espace plus vaste, moins contraint.<\/p><\/div><\/div><\/article>\n\n\n

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Un bain color\u00e9 \u00e0 la mani\u00e8re des discoth\u00e8ques <\/p><\/div><\/div><\/article>\n\n\n

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L\u2019accrochage se veut en g\u00e9n\u00e9ral le plus a\u00e9rien possible afin de sugg\u00e9rer une recherche de l\u00e9g\u00e8ret\u00e9, d\u2019apesanteur.
Les parois de polycarbonate voient leur fonction d\u00e9tourn\u00e9e dans l\u2019exposition. Elles sont simples cloisons s\u00e9paratrices mais ne jouent pas le r\u00f4le de support pour les \u0153uvres.<\/p><\/div><\/div><\/article>\n\n\n

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“AT THE DISCO”<\/em><\/p><\/div><\/div><\/article>\n\n\n\n

Nous tirons parti de la transparence du polycarbonate pour le traiter par des jeux de lumi\u00e8res en \u00e9clairant la tranche sup\u00e9rieur gr\u00e2ce \u00e0 des bandeaux LED, cr\u00e9ant un d\u00e9grad\u00e9 de tons oranges vers le rose p\u00e2le. Cette transparence laisse apparaitre des jeux de superposition, de plans diff\u00e9rents. Les corps des visiteurs apparaissent, glissent.<\/p><\/div><\/div><\/article>\n\n\n

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“CAN’T STOP THE MUSIC”<\/em><\/p><\/div><\/div><\/article>\n\n\n\n

Comment faire une exposition sur le disco sans parler de musique, d\u2019ambiance sonore ? Pour faire le lien entre chacune de ces parties, les rythmer et leur donner de la r\u00e9sonance, nous avons pens\u00e9 une bande son g\u00e9n\u00e9rale diffuse, qui nous appelle d\u00e8s notre l\u2019entr\u00e9e dans la salle d\u2019exposition.<\/p><\/div><\/div><\/article>\n\n\n

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Quatre sous-espaces sonores<\/p><\/div><\/div><\/article>\n\n\n\n

En premier lieu les murs de vinyles sur lesquels nous pouvons nous brancher gr\u00e2ce \u00e0 un casque et \u00e9couter le vinyle de notre choix. Mais aussi avec l\u2019installation \u00ab bulles d\u2019\u00e9coute \u00bb o\u00f9 le rapport au corps est interrog\u00e9, o\u00f9 la limite entre individualit\u00e9 et collectivit\u00e9, entre distance et promiscuit\u00e9 se r\u00e9tr\u00e9cie.<\/p><\/div><\/div><\/article>\n\n\n

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\n \n \"\"\n <\/a>\n <\/div>\n <\/article>\n","protected":false},"author":183,"featured_media":36822,"template":"","meta":{"_acf_changed":false,"_metafield_presentation":"A binary, progressive rhythm serves as the common thread for our scenography project. Visitors work their way through a colour-saturated, moving space, surrounded by translucent walls with plastic shimmers.Beginning with dance, the scenography gradually moves into relaxation, lightening up, transforming the disco into a collective, celebratory refuge for a host of specific struggles.The hanging generally aims to be as uncluttered as possible to suggest a desire for lightness or even weightlessness. Some devices have been designed to bring visitors\u2019 bodies into motion, encouraging them to get dancing.","_metafield_image_toggle":false,"_metafield_image_legend":"Comment faire une exposition sur le disco sans parler de musique, d\u2019ambiance sonore ? 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