{"id":37116,"date":"2023-07-05T14:50:51","date_gmt":"2023-07-05T12:50:51","guid":{"rendered":"https:\/\/diploma2023.ecolecamondo.fr\/sujet-impose\/marine-plantefeve\/les-corps-affranchis-du-disco\/"},"modified":"2023-10-13T12:22:36","modified_gmt":"2023-10-13T10:22:36","slug":"les-corps-affranchis-du-disco","status":"publish","type":"subject-imposed","link":"https:\/\/diploma2023.ecolecamondo.fr\/en\/sujet-impose\/marine-plantefeve\/les-corps-affranchis-du-disco\/","title":{"rendered":"Back to the disco"},"content":{"rendered":"
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Trois grands principes sc\u00e9nographiques<\/p><\/div><\/div><\/article>\n\n\n

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Organisation spatiale<\/p><\/div><\/div><\/article>\n\n\n

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La sc\u00e9nographie encourage la circulation libre des visiteurs. Elle met en lumi\u00e8re la grande libert\u00e9 des ann\u00e9es disco, et permet au visiteur de s’approprier l’exposition comme il l’entend.<\/p><\/div><\/div><\/article>\n\n\n\n

L’entr\u00e9e se fait par une premi\u00e8re th\u00e9matique, Everybody dance, ax\u00e9e autour du disco populaire et des discoth\u00e8que. La visite se poursuit par Can’t stop the music, orient\u00e9e sur l’aspect showbusiness du disco et ses dessous, puis par I am what I am, un espace qui met en lumi\u00e8re les combats sociaux de l’\u00e8re Disco.<\/p><\/div><\/div><\/article>\n\n\n\n

Enfin, un dernier espace, qui se pr\u00e9sente sous la forme d’un couloir, relie la fin de l’exposition \u00e0 la premi\u00e8re salle, comme une m\u00e9taphore du caract\u00e8re \u00e9ternel du Disco.<\/p><\/div><\/div><\/article>\n\n\n

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L’ambiance color\u00e9e plonge le visiteur dans les ann\u00e9es disco. Une trame color\u00e9e au sol guide la visite entre les diff\u00e9rents espaces de l’exposition.<\/p><\/div><\/div><\/article>\n\n\n

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Des oeuvres majeures<\/p><\/div><\/div><\/article>\n\n\n

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L’exposition s’articule autour de cinq oeuvres principales (de gauche \u00e0 droite) : Un espace arcade, la reconstitution d’une cabine de DJ, une salle immersive autour du new york en crise, les instruments transparents des Daft Punk et un podium d\u00e9di\u00e9 \u00e0 Divine.\n<\/figcaption>\n <\/article>\n\n\n
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Une ambiance Disco !<\/p><\/div><\/div><\/article>\n\n\n

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L’entr\u00e9e de l’exposition, con\u00e7ue pour g\u00e9n\u00e9rer la m\u00eame attente impatiente qu’\u00e0 l’entr\u00e9e d’une boite de nuit.\n<\/figcaption>\n <\/article>\n\n\n
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La grande chronologie, qui traverse l’exposition, et permet au visiteur de se rep\u00e9rer dans une exposition qui encourage la libert\u00e9 de circulation. Elle est accessible depuis toutes les salles.\n<\/figcaption>\n <\/article>\n\n\n
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Le couloir de retour vers la premi\u00e8re salle, l’espace consacr\u00e9 aux divas et la grande salle discoth\u00e8que qui ouvre l’exposition.\n<\/figcaption>\n <\/article>\n\n\n
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La communication<\/p><\/div><\/div><\/article>\n\n\n

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La pochette du vinyle de la bande-son de l’exposition.\n<\/figcaption>\n <\/article>\n","protected":false},"author":182,"featured_media":37117,"template":"","meta":{"_acf_changed":false,"_metafield_presentation":"\u201cBack to the disco\u201d is a scenography project designed for an exhibition on disco at the Philharmonie. Three major scenographic pillars shape the exhibition: a great deal of freedom of movement, an intense sensory immersion and, finally, a temporal porosity (as opposed to a linear chronology). As such, the space is organised into three main themes, each linked to the other by a monumental timeline that is visible from all areas of the exhibition, showing key dates and their associated events. Transitions between the different parts are gradual. 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